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Sixty-two year old Richard Turner is renowned as one of the world’s greatest card magicians, yet he is completely blind. This is an in-depth look at a complex character who is one of magic’s greatest hidden treasures.
Richard Turner would have you know he is a “card technician,” not a conjurer. “What I do with cards,” he clarifies ahead of schedule in “Managed,” the interesting and multifaceted narrative about his life and profession, “an entertainer can’t do.” His trademark sleight of hand is a one of a kind of quick fire, card-controlling misdirection, the sort of light-fingered, bargain from-the-center, cover up on display hocus-pocus that evokes pants from gatherings of people, and motivates regard from prepared Las Vegas diversion assurance specialists. What makes his vocation all the more momentous: Turner is totally visually impaired — a reality that leads a stunned gathering of people part to ponder after one of his shows, “Is there a more profound enchantment that is going on?”
Perhaps. All through “Managed,” in any case, executive Luke Korem offers a more mundane yet no less striking clarification for Turner’s status as the Daredevil of card mechanics: sheer power of will. Without giving the diversion away — I presume you could watch “Managed” twelve or so times and still not completely see exactly how Turner does what he does — Korem shrewdly rearranges the deck so as to substitute between the backstory of the impacts that propelled Turner and resolve and the progressing story of his accomplishments and advancement.
A few people take motivation wherever they can discover it. For Turner’s situation, he appreciated as a young an expression from the signature tune of the old “Free thinker” TV appear, “Living on jacks and rulers,” and chose that haggling with a 52-card deck would be a dandy approach to bring home the bacon. The slow degeneration of his visual perception that started when he was 9 did little to dishearten him from following his fantasy. Nor did it stop him from considerably less secure interests, such as riding cruisers when he could hardly recognize path divider lines on streets. Afterward, he declined to acknowledge either pity or debilitation while acing military masterfulness to the point of not just accepting, but rather winning, a dark belt.