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Making his solo directorial debut in Black Snow — back in 2000, he was assistant director on Fabian Bielinsky’s scam classic Nine Queens, and later co-helmed The Signal with Ricardo Darin — Martin Hodara can’t go too far wrong, since the film’s cast features the charismatic likes of Darin, Leonardo Sbaraglia, Federico Luppi and Dolores Fonzi. But though it burns as slowly and intensely as a cabin log fire over its first hour, narrative confusion and implausibility strike over the final run, and it’s that wobbly final stretch that will linger in viewers’ minds, making Black Snow a less chilling experience than it presumably aims to be.
Marcos (Sbaraglia) and his pregnant Spanish wife Laura (Laia Costa) travel to a remote, snow-stormy location in Argentina’s Patagonia (though the film was actually largely shot in the Spanish Pyrenees). They are looking for Marcos’ long-lost brother Salvador (Darin), thought to have killed their younger brother in mysterious circumstances on a hunting trip 30 years before. Now Marcos wants to bury their father’s ashes and to execute his dying wish to see their land inheritance amicably settled between the brothers.
The problem is that the shaggy-bearded, trigger-happy Salvador, looking and behaving like someone who got lost on his way to The Revenant, is anything but amicable, refuses to surrender a single centimeter of the land and in fact seems to be bearing a grudge the size of a mountain against his brother. Laura looks on, unable to make sense of the tension between them as Marcos tries repeatedly, and oh-so-slowly, to break down Salvador’s curmudgeonly silences. Unsurprisingly, and as signaled by multiple flashbacks, it’s a dark event in the past that’s preventing Salvador from lightening up, an event that makes it pretty surprising that Marcos should have chosen to turn up at all.
“Wow, what a family,” mutters family lawyer Sepia (Luppi, still terrific) in practically Black Snow’s only moment of humor, and he’s right — a convincingly rendered air of tragedy hangs over them. But despite all the acting talent on display — the cast is presumably largely responsible for Snow’s major box-office impact back home — we’ve started to tire a little of them even before Sepia says this. We learn little about them, not even, say, what Marcos does for a job, because none of them talk very much, and when they do, it’s about the inheritance.
Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.
Accused of killing his brother during adolescence, Salvador lives alone in the middle of ….. 26 May 2017 | by ma-cortes (Santander Spain) – See all my reviews. Decent mystery thriller with, and Ricardo Darin again . ¨Black Snow¨ is well worth watching and it packs several thrilling as well as suspenseful scenes. A film with more visual and interpretive force than narrative but doesn’t crystallize in an impact thriller.