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“Simplicity is when you fix complexity. I have been spent all my life looking for simplicity.” One almost wants to discover a reformulation of the complexity reduction idea in the system theory of sociologist Niklas Luhmann in those lines. But Phoenix, the Gary Cooper-like protagonist of few words, is definitely not a sociologist and most likely has never have heard of Luhmann. But this strange, slightly autistic man does seem to have a system as he leads his life of forced isolation in the Mojave desert. What is he carting around with himself? Every month he digs a hole in the middle of nowhere, in the middle of the day, and buries something after receiving two letters. And what role will the beautiful and quizzical mail carrier Ariel play in this all? Does she have something in common with the spirit of the same name from Shakespeare’s “The Tempest”? The viewer begins to sense that there is some pretty heavy baggage from the past weighing down his lonely life here. A load that Phoenix unburdens himself from step by step, precisely positioned in coordinates of time and space. He reads the time on the wall clock and he gets the coordinates literally tattooed onto the soles of his feet constantly. But what kind of person this really is remains puzzling for a long time. But as we know, secrecy and aesthetic valence is what makes a (genre) film so special. Phoenix, the lone wolf in the desert, monologues about his daily routine and talks about his brother’s grave. But it doesn’t take long until he tells a person his entire disastrous life story in this film, which is set up as a “chronotope” so to speak, and works very well in the narrative: as a film about time and about space. In spite of the somewhat conjured up “genreness” in its images and dialogues, “Calico Skies” remains above a wonderfully suggestive cinematic work of art complete with well-dosed moments of tension and suspense that tells a story about what is essential to film: its capacity as time and space art.
Self condemned to the immense and boundless prison of the Mojave desert, Phoenix leads a life of forced isolation, living by himself in a house as far away as possible from the rest of the world. Phoenix does one thing and one thing only: he digs holes. Every month he digs a hole in the middle of nowhere and buries something. The last stronghold of society stands with the man that frequently delivers his mail. When one day the delivery doesn’t happen by the hand of his trustworthy mailman, but by that of the beautiful and quizzical Ariel, Phoenix’s life derails in an escalation that leads him to dangerous consequences which will be impossible to escape.