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Roger Ebert’s belief that cinema is a machine that generates empathy applies to “Nocturama,” a French thriller about a group of teenage Parisian terrorists. As a work of political provocation—one that asks viewers to relate with kids who endanger, and murder innocent civilians—”Nocturama” is useless, since the politics, background, and motives of writer/director Bertrand Bonello’s young characters are not developed beyond a basic point. But Bonello (“Saint Laurent,” “House of Tolerance”) doesn’t seem to care about ideology or psychology. Instead, he focuses primarily on what his characters are feeling and thinking on the day that they bomb and/or set fire to multiple targets around Paris, and then hole up over night in a nearby mall.
The movie conveys the range of emotions and ideas that the characters experience through a series of elaborate flashbacks, several of which go back in time just a few minutes or seconds earlier, to relate what other characters were doing at pivotal moments. The filmmaker refuses to pigeonhole his protagonists with trite exposition. Instead, he relies heavily on visual cues and clipped, opaque conversations to relate both the limits of our knowledge and the depth of his subjects’ feelings. Bonello doesn’t coddle viewers, but he does give us a world of information conveyed simply, without heavy-handed commentary.
“Nocturama” starts on the afternoon of the never-named terrorist group’s attack. These kids have no clear leader, though no-nonsense Andre (Martin Petit-Guyot) comes closest. That said, they are hyper-organized, and very few of them show signs of hesitation. Each fulfills a role: Mika (Jamil McCraven) delivers an explosive while romanticallly involved couple David (Finnegan Oldfield) and Sarah (Laure Valentinelli) clear an office building’s 28th and 29th floor, which are already under construction. Meanwhile, Greg (Vincent Rottiers) keeps an eye out for security guards while Sabrina (Manal Issa) uses a cherry-picker to douse a statue of Joan of Arc in lighter fluid.
A group of young, multiracial radicals execute a series of terrorist attacks across Paris and then take shelter for the night in a shopping center while a massive manhunt is conducted outside.
The New York Review of Books. Nocturama is a gut punch wrapped in a velvet glove; it’s so intensely visceral and visually impressive that it short-circuits …