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A decade after its publication, Nicole Krauss’ best-selling novel The History of Love reaches the screen in a sprawling big-budget France-Canada co-production directed by Romanian-born Radu Mihaileanu. Ranging from prewar Poland to Chile and latter-day New York, the movie has something for everyone — and plenty to irritate, too. Neither art house, like most of Mihaileanu’s previous movies, nor mainstream storytelling, The History of Love casts its net wide and will need astute marketing to recoup its sizeable outlay, estimated at $20 million.
The voiceover to the pre-credit sequence — “Once upon a time there was a boy. He lived in a village that no longer exists” — hints at folk-tale simplicity. But things rapidly become more complicated as the story of the doomed love affair between shtetl sweethearts Leo Gurski (Mark Rendall) and Alma Mereminski (former Bond girl Gemma Arterton) unfolds. Alma is packed off to New York by her parents, aware of the growing threat from Nazi Germany. When Leo arrives on the scene a few years later, having survived the Nazi invasion, he has kept his promise of remaining true to Alma. But he finds that she, believing him dead, has married and has two children, one with her husband and one the fruit of her idyll with Leo. She extracts a promise from him not to reveal to the boy that he is his father.
The story of a long-lost book that mysteriously reappears and connects an old man searching for his son with a girl seeking a cure for her mother’s loneliness.
If all this sounds unduly complex and difficult to follow, it is, and Mihaileanu himself has admitted as much. The doomed-love theme ramifies into a plethora of motifs including betrayal and loyalty, the binding nature of promises, the transmission of memory, survival, friendship and death. The History of Love (2016) The story of a long-lost book that mysteriously reappears and connects an old man searching for his son with a girl seeking a cure for her mother’s loneliness.