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Jon Chryst, now 60, has been a fugitive for his whole grown-up life. Following 30 years in seclusion, the law has at last made up for lost time to him. As he makes a last endeavor to escape with his life, Jon considers the occasions that drove him here. Jon’s life starts on a ranch in an apparently healthy Christian family. At the point when Jon is 14, disaster strikes, driving him to escape his home and start his life on the run. Presently, Jon experiences Morris, a kindred outsider who takes Jon in and brings up him like a child. For quite a long while, Morris shows Jon the necessities of adulthood-how to chase, how to fabricate, and how to victimize private ventures. Their organization closes suddenly, and Jon utilizes his new abilities to seek after an existence of wrongdoing. Over almost 10 years, Jon builds up a capable reputation for his criminal movement. Yet, everything changes when he meets Cat Donovan. Jon surrenders his way of life and receives another personality to be with her. He demonstrates his value and is acknowledged into the Donovan family, leaving his … Composed by Diondra Meravi.
A thoughtful drama based on a true story of a homeless girl mistakenly looking for love and family among the broken misfits of Grand Central Station.
Of the eight million people living in New York City, more than sixty thousand of them are homeless, including twenty thousand children. This staggering number only includes children living in city shelters, raising the question, how many homeless people really live in New York City? The true number is unknown, but some of the uncounted are those who live in the underground subway tunnels—the so-called “mole people.” This subculture of outcasts have both rejected and been rejected by society, living in the vast stretches of unused track and scavenging for their survival.
The play opens with Jose (Yohanna Florentino), a verbose teen who speaks in a quizzical verse and spits tall tales with a carefree ease. Jose’s earnest demeanor unnerves the denizens of Grand Central, including a plainclothes officer, two elderly mole women, and an angry young hustler. Gradually, Jose’s persistence and generosity wears down her detractors and she is seen as an angel of mercy. Jose is the one who brings food to the women too frail and afraid to go to the surface. Jose is the one who imbibes pity from a veteran police officer and embraces the humanity in the most hardened of street thugs. Although Jose is the one who plays mother to this station of lost misfits, it is painfully clear that fragile Jose is also the one who most desperately needs parenting and love.
Jon Chryst, now 60, has been an outlaw for his entire adult life. After 30 years, 2016 New York International Fringe Festival … The Runaway Chris Ogren and Yohanna Florentino in The Runaway. Children with a taste for magic and fantasy with find both – and a dollop of humour – in this second tale of Samuel Blink.